These two Twine works are short and linear, but use the gamut of effects available to them well. These are good examples of the value interactivity can add.
Compound Fracture by Jimmy Evans (Twine; IFDB; play here)
[Time to completion: 5 minutes]
The actual text in this game is scarce, as words would be when oxygen is scarce, yet it begins with a blasé This game embraces deceptively simple text effects, where links wriggle and shift out from your cursor. Fragments of thought flick by under a visibly lengthening bar, with the implicit understanding that when that bar runs out, so does your time. The thoughts that flicker past hint at past regrets, a family less than proud of you: the usual emotional baggage, but even there’s no time to pursue those thoughts. The writing, though sparse, has a stoic, matter of fact tone, from the first line: “you are going to die/okay”. In one of the endings, you can do nothing but watch the timer count down.
This is a shining example of real-time effects done right, adding as it does to something otherwise quite simple. (This might be easier played with a mouse.)
What to do When You’re Alone by Glass Rat Media (Twine; IFDB)
[May mention suicide, abusive relationships, self-loathing. Time to completion: 5 minutes]
What to Do describes a Google with sinister intentions – one which sees through the user’s seemingly innocuous searches to the doubt and fears behind it. Perhaps it is the intimacy of a search engine that fuels this idea, and the fact that we might address the search engine as we would a friend, and indeed, in the starting screen, the engine introduced itself by saying, “Don’t worry about keywords; just talk to us like we’re a friend.”. It’s the ultimate natural language processor, isn’t it? These games ask, “What if your ultimate reference, your personal librarian, was thinking, remembering, learning?”
While it may be superficially and mechanically similar to Josh Giesbrecht’s Awake, the intent of this game’s search engine is unambiguous. Awake’s search engine is wide-eyed with wonder. This is actively malicious – this was written for ECTOCOMP, after all.
The text effects are normally much maligned, but are used especially thoughtfully here, making What to Do work well as an interactive vignette of a sinister encounter.